PDF) Decoupling and context in new media art | Tomas Laurenzo - Academia.edu
Free pdf - Digitalarti.com
The Visual in Performance Practice by Sozita - issuu
Incorporating Kinect Cameras into the Museum Landscape · SFMOMA
PDF) Cyber-physical Architecture #1: Robotic Building
Incorporating Kinect Cameras into the Museum Landscape · SFMOMA
PDF) Relational Interactive Art: A Framework for Interaction in a Social Context
Roots of Conceptual Art, Caught by a Camera's Eye - The New York Times
Making meaning in an exhibition: Technologies, agency and (re)
Inner Design: Sept. - Oct. N°4 - 2013 by ELIAS SALAME - issuu
Incorporating Kinect Cameras into the Museum Landscape · SFMOMA
Blog | ACM Interactions
ENGAGING SPACES
THE NEW AESTHETIC AND ART:
2019 Conference of the Universities Art Association of Canada. Congrès 2019 de l Association d art des universités du Canada - PDF Free Download
PDF) A Classification Model for Serious Games Used in Museums, Galleries and Other Cultural Sites
Incorporating Kinect Cameras into the Museum Landscape · SFMOMA
RICHES-D6.1-Access-Participation-Learning-Digital -strategies-for-audience-engagement-with-cultural-heritage-in-museums-
D6.1 Access, Participation, Learning: Digital strategies for audience engagement with cultural heritage in museums and libraries
The Evolution of Video Games as Art in the MoMA
Postlight Podcast - Podcast Addict
James George. Ahead of this week's screening at MoMA… | by Anna Luisa Vallifuoco | Creative New York
3/4 magazine, No. 27-28 (2012), Special issue on media art history: Remake by barak dusanson - issuu
Identifying art through machine learning | MoMA
PDF) “Against Linear Time: Icons Old, New and Evolving,” in 0 to 60: Contemporary Art and Time, Linda Johnson Dougherty, ed., (North Carolina Museum of Art), April 2013, pp. 26-35. | Lydia Matthews - Academia.edu
Keith Haring Edition Polaroid Now Camera & Film | MoMA Design Store
Incorporating Kinect Cameras into the Museum Landscape · SFMOMA
Museum of Modern Art exhibit “Talk to Me: Design and the Communication between People and Objects”
